Blog

Yiddish and the Jewish Voice in The Zone of Interest

Justine Orlovsky-Schnitzler

Whether or not The Zone of Interest is a good film does not hinge on the usage of a minute-long melody. But I do believe its employment tells us the film was impeccably researched by a Jewish director with a clear vision for who ought to say what, and when.

Blog

Yiddish in Braille - a Mayse

Abby Howell

A Yiddish teacher and software engineer tackles a thorny accessibility issue: how to teach a highly motivated student who reads braille when no braille software in the world offers Yiddish as one of the language options.

Pedagogy

Reading Yiddish in Braille

Matthew Shifrin

I went to Google, and typed in Yiddish Braille. Hebrew Braille had been used since the mid-twentieth century, so there had to be Braille for Yiddish, right?

Interview

“I’m Doing my Best Here!”: An Interview with Tomas Woodski on Yiddish Language Activism and Creativity

Esther Singer and Tomas Woodski

A wide-ranging conversation about the status of Yiddish in Sweden, creating new Yiddish television, promoting Yiddish, and the interconnected world of Yiddish cultural activists.

Texts & Translation

ס’געוויין פֿון הונגעריקע קינדער

The Cry of Hungry Children

Yoysef Papyernikov

Translation by Tal Hever-Chybowski

Tal Hever-Chybowski translates Yoysef Papyernikov’s “The Cry of Hungry Children” for In geveb’s ongoing series on Yiddish literary responses to the war.

In geveb, אין געוועב, is a sub­scrip­tion-free dig­i­tal forum for the pub­li­ca­tion of peer-reviewed aca­d­e­m­ic arti­cles, the trans­la­tion and anno­ta­tion of Yid­dish texts, the exchange of ped­a­gog­i­cal mate­ri­als, and a blog of Yid­dish cul­tur­al life. 

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